RIBBON & BROADCAST MICROPHONES

Showing all 17 results

  • 0 out of 5

    Audio Tachnica BP4071 (Line+Gradient Condenser Microphone)

    98,700.00

    Designed for critical long-distance pickup in broadcasting, film/ TV
    production and theater sound reinforcement applications
    • Innovative acoustic design provides the same directivity as mics
    up to 50% longer
    • Direct-coupled, balanced output ensures a clean signal even in
    high-output conditions
    • Transformerless design for improved pickup of transients
    • Rugged housing made of lightweight structural-grade aluminum
    alloy
    • Integral 80 Hz high-pass filter switch and 10 dB pad switch

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    Audio Technica AT4080(S-1 )

    88,900.00

    Phantom-powered Bidirectional Ribbon Microphone

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    Audio Technica AT4081 (Phantom-powered Bidirectional Ribbon Microphone)

    75,900.00

    Low-profile stick design maximizes placement options
    Smooth, warm and natural sound tuned for instrument reproduction
    Innovative dual ribbon construction for increased sensitivity
    Extremely powerful N50 rare earth magnets for high output level
    Superfine mesh guards against ribbon damage

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    Audio Technica AT8004L/T

    10,800.00

    Omnidirectional Dynamic Microphone With Extended Handle.
    The AT8004L has been optimised for broadcasted interviews; The lenght of 239.5mm allows the use of “customized mic flags” with Broadcaster’s logos proudly displayed. The AT8004L is ideal for interviews, sportscasting and for use as the ”mono” mic in conjunction with a stereo microphone. Its omnidirectional polar pattern provides natural reproduction of surrounding ambience. The mic’s rugged housing with hardened-steel grille stands up to field use; its internal shock mounting minimizes handling and cable noise.

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    Audio Technica AT808G(S-2)

    12,500.00

    Subcardioid Dynamic Console Microphone 16.3″ long

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    Audio Technica AT897(S-2) (Short Shotgun Microphone)

    32,900.00

    short shotgun mic for easy positioning outside of the frame
    Audio-Technica’s AT897 is designed for field audio acquisition in film/TV/video production, professional recording, wildlife recording and broadcast applications. It mounts conveniently on a DV camcorder without adding noticeable heft, and remains out of the frame even with compact digital cameras. This high-performance short shotgun offers outstanding long-distance audio pickup due to narrow acceptance angle of line + gradient design. It also features smooth, natural-sounding on-axis audio quality and excellent off-axis rejection of sound arriving from the sides and rear of mic. Audio-Technica’s Line and Gradient Condenser Microphones combine a directional capsule (“gradient”) and an interference tube which removes the sound from the rear. Generally, the interference tube of this type of microphone can be extended to reduce the acceptance angle and thus increase the sound capture distance. Short condenser microphones do not have as long a range as shotgun models, but in some cases are preferred for their greater acceptance angle, when the accuracy of the source is less important.

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    Audio Technica AT9944 (Mono Shotgun Recording Electric Condenser Microphone )

    14,899.00

    Audio-Technica AT9944 is an high sound quality mono gun microphone compatible with digital recording equipment

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    Audio Technica BP40 (Large-Diaphragm Dynamic Broadcast Microphone)

    32,800.00

    Audio-Technica BP40 Large-Diaphragm Dynamic Broadcast Microphone Overview:

    The BP40 broadcast vocal microphone offers a rich, natural, condenser-like sound from a large-diaphragm dynamic design. The large diaphragm features patented floating-edge construction that maximizes diaphragm surface area and optimizes overall diaphragm performance, while the humbucking voice coil prevents electromagnetic interference (EMI).

    With rugged construction and stylish, waveform-inspired design, the BP40 delivers clear and articulate reproduction, ideal for any broadcast application. Optimized capsule placement helps maintain a commanding vocal presence even at a distance, while the multistage windscreen provides superior internal pop filtering. The BP40 broadcast microphone also includes a switchable 100 Hz high-pass filter to provide even more pop protection.

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    Audio Technica BP4025 (Large diaphragm X/Y microphone)

    54,999.00

    Designed for broadcast and professional recording, Audio-Technica’s BP4025 stereo condenser offers large-diaphragm capsules in an innovative coincident capsule configuration. This allows for a smaller housing while producing an X/Y stereo image with the spatial impact and realism of a live sound field. Ideal for use with professional audio and video equipment, the microphone is fully RoHS-compliant – free from all substances specified in the EU directive on the reduction of hazardous substances (RoHS)

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    Audio Technica BP4029 (236 mm phantom only stereo shotgun microphone)

    82,900.00

    The BP4029 (AT835ST) Stereo Shotgun Microphone from Audio-Technica offers two internally-matrixed modes which provide traditional “left-right” stereo. To accommodate varying acoustic environments, the user may select between a “wide” pattern (LR-W) with increased ambient pickup, and a “narrow” pattern (LR-N) which offers more rejection and less ambience.

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    Audio Technica BP4071L (Line + gradient condenser shortgun microphone, 539 mm long)

    115,900.00

    At 53.9 cm long, the BP4071L is one of the longest shotgun microphones on the market. It was specially designed to meet the needs of the broadcast, film, and is particularly suitable for television. Particularly well adapted for long-distance sound recordings for filmmaking, in the theatre or for sporting events, the BP4071L guarantees a low noise level as well as a direct-coupled symmetrical output resulting in a clean signal even in high-output conditions.

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    Audio Technica BP4073 (Line + gradient condenser shortgun microphone, 233 mm long)

    84,900.00

    The BP4073’s high sensitivity allows it to produce a strong output without requiring extreme gain at your mic preamp. With a selectable low-cut filter and a -10 dB pad, the BP4073 is capable of delivering clear, distortion-free sound due even on intensely loud sound sources. Plus, its full-spectrum frequency response utilizes a gentle increase in high frequencies to enhance intelligibility.

    The rugged aluminum alloy housing ensures rugged dependability while maintaining an ultralight weight that won’t burden your boompole or camera, and the included accessories accommodate mounting the BP4073 to a mic stand, boompole, or camera-mount microphone holder.

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    Audio Technica BPCB2/B (Cable for BPHS2 Headsets)

    6,980.00

    The BPCB2 from Audio-Technica is a replacement headset cable with a 3-pin XLR and a 1/4″ (6.3mm) connector for the BPHS2 Audio-Technica headset (sold separately). It is compatible with all BPHS2 models and can be used to connect to a mixer or PA sound system for broadcast, podcast, or DJ applications.

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    Audio Technica BPCB3

    5,199.00

    Replacement cable for BPHS2 (all models), unterminated.

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    Audio Technica BPHS1/T

    18,999.00

    Created especially for on-air news & sports broadcasting, announcing & interviews, this rugged stereo headset offers natural, highly intelligible and focused vocal reproduction, closed-back circumaural (around-the-ear) ear cups to seal out background noise, and a high-output dynamic microphone mounted on a flexible gooseneck boom. The headset’s microphone has a cardioid polar pattern tailored for pickup of speech with maximum voice intelligibility over a wide range of frequencies. It is more sensitive to sound originating directly in front of the element, making it useful in reducing pickup of unwanted sounds. The flexible gooseneck boom swivels for easy positioning on either the right or left side.

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    Audio Technica BPHS2/B

    34,000.00

    Created especially for news and sports broadcasting, this rugged stereo headset offers highly intelligible and commanding vocal reproduction, along with a comfortable fit and excellent sound isolation. Its low-profile, closed-back, on-ear design is based on the ATH-M60x professional monitor headphones and includes the same 45 mm large-aperture drivers, and premium, memory foam earpads and headband, giving users a high-fidelity headset that’s built to last. The headset’s hypercardioid dynamic microphone keeps the pickup focused on the broadcaster’s voice, even in loud environments, and is tailored to reproduce that voice with a rich, broadcast-ready sound. The microphone sits at the end of a rigid boom with a strong, flexible gooseneck section that allows the microphone to be easily adjusted and then stay in place. The boom is also designed to swivel forward and back so that the headset can be worn with the mic positioned on either the right or left side.

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