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With its specially designed midrange driver, the compact KH 310 is particularly suited for precise work with speech, vocals, guitars and other instruments that have a midrange emphasis. Its closed design enables a very fast transient response. The associated low harmonic distortion guarantees a neutral reference sound to meet the highest standards.

The KH 810 is an answer to the demands by offering a 7.1 High Definition Bass Manager™. The flexibility of this bypassable 7.1 bass manager means it is also compatible with all standard consumer formats from mono through to the latest 7.1 HD systems.

Eight channels of analog ensures flexible interconnectivity for modern studios. Four-mode LFE-channel processing guarantees compatibility across all formats and industries. Forth-order crossovers and flexible acoustical controls allow for seamless system integration. Built-in volume control and a hardware remote control allows for centralized system control independent of the source, and the electronics can be remote located to reduce cabling. From Mono to 3D, there are uses for the KH 810 in many different system configurations.

The KMS 104 is a studio grade vocal microphone for stage use. Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.

The TLM 107 is a reference class microphone for vocals and instruments with breathtaking realism. Five polar patterns plus variable pad and low cut settings make the TLM 107 exceptionally flexible. And with a dynamic range of 131 dB the TLM 107 captures anything from a slight whisper to massive drums without unwanted noise or distortion.