Description
An 8-piece set:
- DRM-KD: 1 new generation bass drum mic. The look and feel of this mic will bring back fond memories for sound engineers of a certain age. But more than the look, it’s the quality of the sound that has improved: full, warm and precise. Unlike a number of today’s mics and their artificially scooped frequency response, the DRM-KD restores the complete sound of the bass drum, so all the engineer has left to do is choose the amount of equalization that fits the musical style and arrangement.
- DRM-C: 4 unidirectional dynamic mics for toms and snare drums. These mics offer ultra versatility, so they perform well with other percussion instruments such as congas and bongos. What we’ve given you is the compact version of the TT1 instrument mic with its wide frequency range and extensive dynamic capabilities.
- DRM-OV: 3 overhead mics (condenser mics). These mics perfectly capture the different moods created by drum kits and percussion instruments, and they are ideally suited for the Charleston drum. We wanted them to achieve excellent highs and they are particularly good at rendering the harmonic richness of cymbals. They also produce a stereo image which is wide and defined.
Specifications:
DRM-C
- Directivity: Uni-directional
- Sensitivity: -49dBV/Pa (2.2mV/Pa)
- Frequency response: 50Hz-15kHz
- Output impedance: 600Ω ±30% (at 1kHz)
DRM-KD
- Type : dynamic
- Frequency response: 30Hz-15kHz
- Directivity: super cardioid
- Sensitivity: -50±3dB (0dB=1V/Pa at 1kHz)
- Output impedance: 300Ω±30% (at 1KHz)
- Connection: 3 – XLR mâle
DRM-OV
- Type: back-electret 16 ø
- Directivity: cardioïd
- Frequency response: 30Hz – 18 kHz
- Sensibility: -38dB±3dB (0dB=1V/Pa at 1kHz)
- Output impedance: 100±30% (at 1 kHz)
- Noise: 20dB A
- Pression max SPL : 135dB (at 1kHz≤1% T.H.D)
- S/N Ratio: 74dB
- Phantom power: 9V-52V
